The conservatory asked us how we work rather than what we play. Five days on taking classical music out of its protocol: a concert, a long talk, a workshop with interactive visuals and lights carried around the hall, and two masterclasses.
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The piece that opens our twelfth season is named after a stream in Montana. Its composer on laminar flow, a tango with three dancers, and what to listen for near the end.
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Four productions at The DiMenna Center for Classical Music, eleven works chosen from the ensemble's open call, one world premiere, touring dates in Illinois, Kentucky and the Hudson Valley, a residency in Finland, and the seventh Festival ADAR in Asturias.
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